Saturday, 15 June 2013

Technical Codes: What to expect from a conventional music video?

There are many aspects that need to be thought about when looking at a music video, everything that you can see needs to be planned precisely! When thinking about designing my own music video I am going to have to think about the conventions that make up a typical music video and all the aspects that make it successful. I will have to think about the camera shots, camera movement, editing, post-production digital effects, lighting and mise-en-scene.

Camera Shots
In majority of music videos they will use dramatic close ups of the artists, instruments, crowd members and/ or body parts such as their lips to show singing. These closeups help to convey certain emotions within the song and establish who the main artist is. Often low angle shots are used to portray a sense of power, strength and dominance of the artist, establishing shots are used to show a new location or show an aspirational location which can also link to the artists status, money and power. If an artist is on stage then aerial/ crane shots can be used to show a full view of them playing to and audience, also helping the viewer to get a feel for the atmosphere, as if they are also there and being performed to. Direct address is commonly used; this breaks the 4th wall, allowing the audience to feel more personal with the artists which connects the bond between them.

Camera Movement
When an artist is moving, whether it’s running, walking or dancing, nearly always a pan, tilt or tracking shot is used. This helps the audience to feel more involved in the action because they are moving along with the artist. Crane shots are commonly used in a performance scene because that way you are able to get a full overview of everything that’s happening from the lead singer, other band members to the fans jumping around enjoying their music. Quite often a handheld camera is used to create a more personal effect for the video as if it’s a diary; the artist is letting you into their personal life in a sort of video documentary style.

Editing
If the video is narrative, cross-cutting is used to switch between the story line and the artist, this makes the audience more involved and constantly wanting to know the next part of the story line. It is not usual to have continuity editing, it is often fast and structured, jumping back and forwards in time using jump cuts, often involving some sort of montage or slow motion to highlight key aspects of the video. Common for love songs are eye line matches, showing the lovers looking into each other’s eye, conjuring emotion. The editing needs to be in time with the beat or rhythm of the music, to each section of the song which helps the overall music video flow and work properly together. Graphic matches are also used in creative and quick editing to portray the message of the song.

Post-production Digital Effects
Lyrics will sometimes appear in a music video which can highlight key words or phrases that are an important part of the song's message. CGI or green screens can be used to create an aspirational location without the artist or band actually travelling, this can minimise cost and also increases options, creating new unique videos. Colourisation can be used to create different scenes, to make the day look sunnier, or mysterious and dark depending on the message the video wants to portray. Lastly split screen can sometimes be used to display two different scenes running alongside each other, often to show action, or a story being told with the artist doing the story telling on one side and the actual story being acted out on the other.

Lighting
High Key lighting is the most common among music videos to enable the audience to see everything in the scene, nothing is hidden to help them become more involved with the video and knowing their surroundings which strengthens bond between artist and fan. Isolating spotlights can be used to highlight a key band member or a key message to the story being told on screen, whether it’s an object or an actor, it can highlight what the director wants the audience to be focusing on. The lighting is always controlled and designed around the song, so if it’s a happy, upbeat song the lighting will be bright and sunny looking, whereas if it’s a slower, sad song the lighting could be dark, moody and mysterious.

Mise-en-scene
The Mise-en-scene is used to express an artist’s glamorous lifestyle, setting the video in aspirational locations which is always influenced by the genre of the music. Elaborate costumes and dance routines are created helping the video become more memorable and interesting, which can build more of a hype to generate larger revenue. Music videos are often very theatrical to exaggerate the lifestyle of a music artist, to also boost their profiles so that fans will want to aspire to be like them. 
Sexualisation of women is often used; this is shown by the costumes and dance movements. The males in the scene are usually dressed in casual attire themselves, whereas the women may be wearing more elaborate clothing, or in some cases more body on display - they are very much designed as sex objects within a scene. However, recently there has been a video that has gone against these conventions of sexualising women. In this video it’s not representing the female generation as size 0, sex objects, but an average working woman. Avicii ft. Nicki Romero- 'I Could Be The One', tells a story of a larger women being down about her weight and the drag of her typical 9-5 job, and in her dreams experiencing being happy with the way she is in her dreams and ending with her quitting her job. It is an empowering video going against the conventions, proving that normal people can have fun and enjoy life, and it’s not all partying, bikinis, beaches and champagne parties!



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