Videos
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Audio
Lyrics / Narration /
Music / FX
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1. EXT.
MAR DE CRISTAL BEACH, SPAIN, EVENING
Waiting for
music to build. Pan of beach at sunset – low sun and silhouette of palm
trees.
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No lyrics
[0:00-0:06]
No narration
No FX
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2. EXT.
ENGLISH COUNTRYSIDE. LATE AFTERNOON SUN.
Vocals begin
calmly, relaxed feel. Medium shots sitting on old rusty farm trailer lip
syncing to song, cross cutting to walking through corn fields. Lazy summer
feel.
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So high so high,
I don't wanna come down
I don't wanna come down so high so high, I don't wanna come down I don't wanna come down
[0:06-00:29]
No narration
No FX
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3. INT.
DARK RECORDING STUDIO.
More professional artist shots - Cuts to
recording studio, as if single being recorded live, close up on face,
focusing on lips – lip syncing. From different angles with different lights. Face
lit with spotlight for focal attention.
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you get me high
high high so high that I don't wanna come down
you get me high high high so high that I don't wanna come down [00:29-0:51]
No narration
No FX
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4. EXT.
LA MANGA CLUB, SPAIN. SWIMMING POOL, AFTERNOON SUN.
Music is faster tempo reflected in faster paced
editing, cross cutting between shots of artist swimming under water, flicking
hair in pool, laying by pool tapping feet to music beat and entering pool.
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it’s our game,
after all this time baby, I have no doubts
our game, I’m only yours, I keep running out no no no no you got it and you make me feel, make me fly, make me fall so you've got it with that love so real you make me cry, you make me crawl you've got it with the sweetest touch the sweetest lips, the sweetest tone you've got it with the.. you got it you got it you got it [0:51-1:33]
No narration
No FX
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5. EXT.
MAR DE CRISTAL, SPAIN. BEACH. EVENING SUN.
Sound track back to a more relaxed tempo. Walking
along beach front, pans of beach scenery, holiday resort, establishing shots
to emphasise aspirational locations
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you get me high
high high so high that I don't wanna come down
you get me high high high so high that I don't wanna come down [1:33-1:55]
No narration
No FX
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6. INT.
PHOTOGRAPHIC STUDIO
More
professional scenes of artist at work. Mid shots of lip-syncing in photo studio,
flashing in the background to represent cameras.
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so high so high,
I don't wanna come down
I don't wanna come down so high so high, I don't wanna come down I don't wanna come down
[1:55-2:15]
No narration
No FX
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7. EXT. ENGLISH COUNTRYSIDE. LATE AFTERNOON SUN.
Vocals begin calmly, relaxed feel. Medium shots sitting on old rusty farm trailer lip syncing to song, cross cutting to walking through corn fields. Lazy summer feel.
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you, you got to
know you're my everything
and it’s another thing to do, to make me wear your ring, you're my king oh yeah yeah yeaaaaaaah ay you got it and you make me feel, make me fly, make me fall so you've got it with that love so real make me cry, make me crawl you've got it with the sweetest touch the sweetest lips, the sweetest tone you've got it with the.. you got it you got it you got it
[2:15-2:59]
No narration
No FX
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8. INT.
DARK RECORDING STUDIO.
In studio,
recording single, close up on face, focusing on lips – lip syncing. From different
angles with different lights. Face lit with spotlight for focal attention.
|
you get me high
high high so high that I dont wanna come down
you get me high high high so high that I dont wanna come down
[2:59-3:21]
No narration
No FX
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9. EXT.
LA CALA BEACH, SPAIN. AFTERNOON SUN
Music tempo calming down again. close up of
feet walking along beach front, mid shots of crashing waves against sand and
rocks.
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So gimme gimme
that gravity
Set my soul on
fire
Now gimme gimme
that gravity
You're making me
higher
Now gimme gimme
that gravity
Set my soul on
fire
Now gimme gimme
that
Cos you got it
you got it you got it
[3:21-3:44]
No narration
No FX
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10. EXT.
LA MANGA CLUB, SPAIN GARDENS. MORNING SUN & CLOUDS.
As music fades. Fast moving clouds behind
palm trees ending in a ‘9’ shaped cloud.
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Instrumental fade
[3:44-4:00]
No narration
Fast motion
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Thursday, 17 October 2013
Script
Before filming my music video I have made a plan of my video structure and how that fits with the different sections of lyrics.
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